Question: did William Dieterle consciously borrow from Marlene Dietrich's dance scene in 1944's Kismet when he directed Rita Hayworth in 1953's Salome?
Clearly, Hayworth was the more skilled dancer, but Dietrich gave good face. Before I forget, let me note the genius structure of Irene's foundation on Dietrich and Jean Louis' flesh-colored chiffon on Hayworth, which would eventually equal a winning combination in December 1953--when Dietrich stepped out onto the stage in Las Vegas wearing "the eel."
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